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LA TRADICIóN DEL BARROCO EN EL ARTE DE VANGUARDIA CUBANA DEL SIGLO XX
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LA TRADICIóN DEL BARROCO EN EL ARTE DE VANGUARDIA CUBANA DEL SIGLO XX
Annotation
PII
S0044748X0000617-7-1
Publication type
Article
Status
Published
Authors
Yuri Guirin 
Edition
Issue 9
Pages
94-98
Abstract
This text is the brief of some polemic considerations of the author about it would seem to be self-evident conceptions. The point is the genesis and nature of art and the whole culture of modern Cuba, and more – the whole Latin America, - whose peculiarity is used to be explained by presence of baroque elements in them. The author seek to show that baroque is inherent part of the whole reality of Cuba, but it is present in it indirectly, and this indirectness results in that what is wrongly used to consider as baroqueness. More over, it is the character of indirect baroque that defined the development ofart in Cuba, beginning with the avant-garde age.
Keywords
Cuba, baroque, avant-garde, traditions, self-identification, aesthetics, theory of arts.
Date of publication
01.09.2011
Number of purchasers
1
Views
990
Readers community rating
0.0 (0 votes)
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References



Additional sources and materials

    

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    2. 

  2. Kh. Lesama Lima. Barokko, voploschenie lyubopytstva. - Izbrannye proizvedeniya. M., 1988.
    3. 

  3. S. Sarduy. El barroco y el neobarroco. - America Latina en su literatura. Mexico, 1980, r. 172.
    4. 

  4. A. Karpent'er. Ukaz. soch., s. 222.
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  5. G. Pogolotti. Experiencia de la critica. La Habana, 2003, r. 84, 161
    6. 

  6. L. I. Tananaeva. Ocherki kubinskogo iskusstva XVI-XVII. SPb., 2001, s. 34.
    7. 

  7. R. Altmann. Ornamento y naturaleza muerta en Amelia Pelaez. La Habana, 1945, r. 8, 12.
    8.

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